Quartz Inversion

mudita bhandari

Indore, Madhya Pradesh, India

 
Mudita Bhandari at Ashwini Bhat’s studio in Auroville, India

Mudita Bhandari at Ashwini Bhat’s studio in Auroville, India

Mudita Bhandari, Musings series, 2017. Terracotta (gas and smoke fired to 1150 degrees C) and string. 11” H x 9.5” W x 13” L and  9” H x 9” W x 12” L

Mudita Bhandari, Musings series, 2017. Terracotta (gas and smoke fired to 1150 degrees C) and string. 11” H x 9.5” W x 13” L and 9” H x 9” W x 12” L

As the lock-down was announced, I found myself in the middle of a transition: we had moved from our ancestral home into a temporary house, and needless to say I did not have a proper studio space. In my practice, making has never been a compulsion; it’s more a culmination or expression of being, and observing what goes on in and around. Normally, making helps me move away from the rushed urban life into a space of my own, balancing the noise of the outside world with the quiet space within.

As the world slowed down, with no distractions, deadlines or “things to do,” I guiltlessly dived deeper into the quiet layers of timeless space and enjoyed the monotonous routine of household chores and periodic interactions with my students. I took to writing as a way to witness and bring all fragments of thoughts, ideas and feelings together—a process I use to evaluate where I am in life. It was a quiet pause greatly needed to remind me to restructure my life and create more space.

My practice is deeply rooted in the idea of space. All these years, the idea of duality had been about two sides of the same coin. Something shifted and made me look at the “whole” in which the two sides exist, freeing up space as limiting ideas of boundaries dissolved. I am now using different materials along with old fired clay forms to consciously explore the diverse dimensions of various mediums.

Mudita Bhandari, Home, 2018. Terracotta and earthenware, gas fired and smoke fired. 12” H x 8” W x 7.5” L; 10” H x 13” W x 12” L;  8” H x 15” W x 8.5” L.

Mudita Bhandari, Home, 2018. Terracotta and earthenware, gas fired and smoke fired. 12” H x 8” W x 7.5” L; 10” H x 13” W x 12” L; 8” H x 15” W x 8.5” L.

 
Mudita Bhandari, Within, 2015. Terracotta (gas fired to 1150 degrees C) with stains and smoke fired. Dimensions variable

Mudita Bhandari, Within, 2015. Terracotta (gas fired to 1150 degrees C) with stains and smoke fired. Dimensions variable

during the pandemic, Mudita Bhandari took to writing as a way of bringing THOUGHTS AND FEELINGS TOGETHER, prompting her to re-evaluate how she thinks about space in her work

Mudita Bhandari, The Wired Dance, 2020. Fired clay with copper wire, idea in progress 

Mudita Bhandari, The Wired Dance, 2020. Fired clay with copper wire, idea in progress 

 
Mudita Bhandari, The Wired Dance, 2020. Fired clay with copper wire, idea in progress 4” H x 3”W x 4” L

Mudita Bhandari, The Wired Dance, 2020. Fired clay with copper wire, idea in progress 4” H x 3”W x 4” L

Mudita Bhandari, Knotted, 2020. Fired clay with cement, idea in progress.

Mudita Bhandari, Knotted, 2020. Fired clay with cement, idea in progress.

 
Mudita Bhandari, Knotted, 2020. Fired clay with cement, idea in progress.

Mudita Bhandari, Knotted, 2020. Fired clay with cement, idea in progress.

Mudita Bhandari, The Wired Dance, 2020. Fired clay with copper wire, idea in progress. 4” H x 3.5” W x 4.5” L

Mudita Bhandari, The Wired Dance, 2020. Fired clay with copper wire, idea in progress. 4” H x 3.5” W x 4.5” L

BIO: mudita bhandari

Born in Indore, India, Mudita Bhandari received her BFA in ceramics from Vishwa Bharati University, Santiniketan, and her MFA from the Faculty of Fine Arts, MSU, Vadodara, in 2000. She later joined the faculty and taught ceramics for two years, before she moved to her hometown to set up her studio. Inspired by the use of clay in the folk tradition of India, she has been working extensively in terracotta. She has exhibited widely: recent exhibitions include Clay off the Wall (curated by Adil Writer and Shayonti Salvi) in Mumbai, just before the lockdown; Shape (curated by Probir Gupta) at the Alliance Francaise de Delhi, ; and Rooted (curated by Kristine Michael and Paula Sen Gupta) at Gallery Espace, New Delhi, in 2019. A member of International Academy of Ceramics, Mudita has taken part in various residencies and symposiums nationally and internationally. Her works are in various private collections, as well as in the Mark Rothko Art Center in Latvia, the FULE International Ceramic Museum in China, and the Mehmet Nuri Gocen Foundation, Turkey, to name a few.

 

rate of affection

Mudita Bhandari nominates Toru Kurokawa