Quartz Inversion

Peter St. Lawrence

Oakland, California, USA

 
Peter St.Lawrence, in his studio in Oakland, California

Peter St.Lawrence, in his studio in Oakland, California

Peter St.Lawrence, Circumambulation, 2019. Ceramic. 23" x 11"x 7"

Peter St.Lawrence, Circumambulation, 2019. Ceramic. 23" x 11"x 7"

 
Peter St.Lawrence, Various Forms, 2019. Ceramic. Varying dimensions between 17” tall and 14” wide in largest dimensions

Peter St.Lawrence, Various Forms, 2019. Ceramic. Varying dimensions between 17” tall and 14” wide in largest dimensions

Shelter-in-Place was ordered in the San Francisco Bay Area in mid March, the first of its kind in the United States.  Cleaning supplies instantly vanished from the shelves of the markets and people were brawling over toilet paper.  At first it was believed that you’d be arrested if you were seen outside of your home, which made access to the studio impossible.  Everyone was avoiding eye-contact because they were so terrified of the Coronavirus.  The city became incredibly dark.

I wasted no time and fled to a remote location on the Pacific Coast to ride out the lockdown. I continued my art practice with the supplies I could bring with me.  It was a terrifying and introspective time.  And my work became a series of very tiny watercolor landscape paintings.  It was a practice I had developed as a traveling stylist for photography and video: something I could do in hotel rooms to keep myself centered amid long, high-pressure days. It was the self-care I needed, and the entire set-up fit into my carry-on.  So when “Shelter” was ordered, I knew just where I needed to go: very small.

Things are slowly opening back up in Oakland and I now have access to my ceramic studio.  I am finally starting to get momentum back with my sculpture. 

Peter St.Lawrence, Querencia Blanco, 2019. Ceramic. 26.5” x 15" x 8"

Peter St.Lawrence, Querencia Blanco, 2019. Ceramic. 26.5” x 15" x 8"

During Lockdown, Peter St Lawrence fled OAKLAND for a house on A remote stretch of the pacific coast where he “went small” and painted miniature landscapes

Peter St.Lawrence, Seascape #2, 2020. Watercolor on paper. 2.5”x 2”

Peter St.Lawrence, Seascape #2, 2020. Watercolor on paper. 2.5”x 2”

 
 
Peter St.Lawrence, Seascape #5, 2020. Watercolor on paper. 2”x 2”

Peter St.Lawrence, Seascape #5, 2020. Watercolor on paper. 2”x 2”

Peter St.Lawrence, Seascape #4, 2020. Watercolor on paper. 2”x 2.5”

Peter St.Lawrence, Seascape #4, 2020. Watercolor on paper. 2”x 2.5”

Peter St.Lawrence, Seascape #1, 2020. Watercolor on paper. 2.5”x 2”

Peter St.Lawrence, Seascape #1, 2020. Watercolor on paper. 2.5”x 2”

Peter St.Lawrence, Seascape #3, 2020. Watercolor on paper. 2”x 2”

Peter St.Lawrence, Seascape #3, 2020. Watercolor on paper. 2”x 2”

 
 

BIO: Peter St. Lawrence

Peter St. Lawrence has been contributing to the arts community in Oakland, California, since he received his BFA in sculpture from California College of the Arts in 2001. He works as a stylist and as an interior design consultant, while maintaining a robust studio practice. He is also a founder and former director of FM, a fine art gallery and community of artist studios in Oakland.

Peter’s early work focused on figurative sculpture, dolls, and marionettes. As he started engaging more with the interior design world—contributing eventually to the design of several Bay Area restaurants—he started creating simpler forms in his studio, applied to vessels and lighting. In his most recent body of work, St. Lawrence has shed all ornament and function, and is focusing on pure form: his new series of table-top sculptures are minimal, contemporary, classic, organic, serious, and playful all at the same time.

 

rate of affection

Peter St. Lawrence nominates Juan Miguel Santiago